The vocal line is very quiet and hard to detect but is there and elegantly sorts some of the seeds of the melody in harmony with fudge melodic tones.
Since not everyone played in all choirs exactly the same pitch collections, I made a judgment to get a summary of what I took to be overall unity in most cases I-IV-V format with sections of motion of women, from smaller -Terzen and II-VI, where Imaj7 to min7 and ii is the next II-VI.
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Exposure begins with a passageway, which uses the G-hematonic Pentatonik scale (G, A, C, D, E), and it moves on a variety of other modes and PCs. 34bbb28f04
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